Category Archives: The Warp & Weft

This is now a strange scene; to be at a funeral and see a shroud, inside which is a whole body with two hands, ten fingers, two feet, and a head. Nowadays, we Gazans are lucky if we even get to have a funeral, to bury an intact body, or to have our family and friends there to say goodbye and cry over us.

How we met in the lilt and nectary of the typed word
How air wove itself into spring around our screens and snapped time-
tables, and turned us from panic to song, spinning the counterfeit
back into gold, handing us to each other a filament at a time…

The Warp & Weft audio archive was transformed into a multimedia exhibition including sound, text, photography, and animation. The Warp & Weft [Face to Face] opened at Rochester Contemporary Art Center on April 1st, 2022 with an artist talk by Mara Ahmed.

I have been officiating at funerals for more than 30 years. One might say I felt “called” to the work, not necessarily in a spiritual sense, but I have the right skill sets. Most of the funerals I have celebrated, have been for people who have lived long and full lives. They fall into the “circle of life” category, in which death is seen as a part of life.

بعد از ۵۵ روز اقامت در کمپ، نام من و خواهرم نیز در لیست افرادی بود که به یکی از ایالت‌ها برای ادامه زندگی منتقل شویم. ما بعد از سه روز به شهر روچستر ایالات نیویورک رفتیم

[Leaving Kabul by Marzia Rezaee: After 55 days in the camp, Sohaila and I got on the list of people to be moved to a permanent residence. Three days later, we were sent to Rochester, New York. About a hundred people were evacuated from the camp in New Mexico that day…]

Sometime over the past two years, something changed in me. As if I woke up and became someone else. A long period of being alone in my little studio folded me slowly, just like I fold and mould my clay. I started imagining life among my art pieces – I became my own subject.

Released in collaboration with RoCo starting March 2021, The Warp & Weft is an online audio archive created and curated by interdisciplinary artist Mara Ahmed. It is a collection of stories from the first year of the pandemic that weaves together diverse voices, languages and geographies. Now a year later, with the coronavirus still with us and the world knit together as tightly as ever, we revisit the archive as a multimedia exhibition. Experience The Warp & Weft [Face to Face] at RoCo (April 1-May 7) and immerse yourself in a colorful tapestry of stories.

Le 1er février 2021, tu as tiré ta révérence. Seul, en compagnie de ton vieux chat, Indy. Pour moi, plus rien ne sera jamais comme avant. J’ai la sensation qu’on m’a amputé d’une part de moi. C’est douloureux. Nous deux, c’est une histoire qui remonte loin. 65 ans d’amitié.

[My More-Than-Friend by Paul Couturiau: On February 1st, 2021, you bowed out. Alone, with your old cat, Indy. For me, nothing will ever be the same. It feels like a part of me has been amputated. It’s painful. The two of us, it’s a story that goes back a long time. 65 years of friendship.]

Listening to the reflections from The Warp & Weft has been rich and relatable. Stories of people’s shifts to a more introspective, slower and more connected existence, but also surrounded by grief, fear, racial unrest and confusion. Listening to Mara Ahmed’s moving “Connectedness” piece sparked something inside of me.

So I must confess, I am everything. I am the galaxy of galaxies. Agreed that philosophers have wrongly pointed out the errors of my theorem, that testimony is unscientific, that knowledge only arrives when two or more people can experience it. But I tell you, I am the universe.

I was moved by all the stories and by the rawness of people’s experiences along with their willingness to share. I couldn’t single out just one so, in the spirit of Mara’s work and her vision for this project, I wove them all together into this piece to create a tapestry of people, places, languages and realities because we are all many stories.