Category Archives: Projects

In this new edition of Reel Asia (NYU Tisch School of the Arts), we gather to watch and discuss works by 3 women filmmakers based in the NY metropolitan area. With roots in Tibet, Pakistan, and India-and creative journeys that span oceans and worlds-Tenzin Sedon, Mara Ahmed, and Jesal Kapadia craft moving images that challenge the boundaries between fiction and documentary, and between film and other media. With great sensitivity and insight, they untangle and re-assemble images, stories, emotions and ideas about colonialism, ethnicity, race, gender, migration, memory, and the environment.

The Injured Body: A Film about Racism in America – World Premiere on Friday, November 14th 7:00 PM
@ Cinema Arts in Huntington, NY

Featuring a post-film panel discussion with director Mara Ahmed, artist & curator Brianna L. Hernández, and world-renowned writer Uzma Aslam Khan

A powerful screening of the beautiful Palestinian film, From Ground Zero: Stories from Gaza, on Long Island, a collab between Unitarian Universalist Congregation at Shelter Rock and the Muslim Community of Nassau County.

Online poetry readings & Gaza fundraiser featuring Palestinian poets Mosab Abu Toha, George Abraham, and Sara Abou Rashed. This fundraiser will support journalist Salem Ahmed’s initiative, on the ground in Gaza, which provides food to families. Please join us. Registration is needed.

This artist retreat at the Hewitt Lake Club was transformative. Not only the idea of creating art and art alone in a remote and absolutely stunning environment, but also the richness of being surrounded by artists working in multiple media/ disciplines/ contexts and witnessing their praxis up close.

Three screenings of Return to Sender along with artist talks/PowerPoint presentations in three different community spaces in Islamabad and Lahore

Excited that RMSC has created a map documenting their historic exhibition, Changemakers: Rochester Women Who Changed the World (in which I had the honor of being featured). This interactive map is now available as a digital interactive at RMSC on the second floor, Patricia Hale Gallery, but you can also access it online.

The Gaza Municipality provides water, sanitation and sewage management, waste collection, the removal of debris and reopening of key thoroughfares to facilitate movement, and aid to personnel doing heroic emergency work. They have started a fundraiser and are trying to raise a million dollars. They still have a long way to go. Let’s support them.

I will be coming to Rochester, NY, on March 28th to present a dialogue between my work on colonial postcards and the Visual Studies Workshop’s film and lantern slide archives. This will be an exciting conversation where we will see clips from my new film, about the aftershocks of colonialism, juxtaposed against film clips from Rochester in the 1970s that talk about police control and violence.

Dr. King called on the US to undergo a radical revolution of values. He believed that Jim Crow segregation and the war in Vietnam were rooted in the same ethic of race-based domination. By 1967, Dr King’s religious vision for nonviolence went beyond street protests, to include abolishing what he called the “triple evils” threatening American society. He defined them as racism, poverty, and militarism.

Return to Sender: Women of Color in Colonial Postcards & the Politics of Representation will be screened at Southampton Arts Center on Sunday November 19, 2:00 – 4:00 pm. The screening will be followed by a panel discussion with Jeremy Dennis, Minerva Perez, and Brenda Simmons. This event is free and open to the public but registration is needed.

Return to Sender is an art exhibition inspired by Mara Ahmed’s film of the same title, with Fatimah Arshad, Urvashi Bhattacharya and Sumayia Islam. The Exhibition Catalog by Mara Ahmed, Avina Mathias and Emelyn Pareja-Garcia aims to provide more historical context for the film and exhibition. It hopes to excavate layers of colonial history, gender relations, and power dynamics in order to deconstruct the male gaze (a concept rooted in the objectification and sexualization of women), and to clarify its intersection with colonialism and imperialism. Huntington’s History & Decorative Arts Museum, Huntington, New York, Fall 2023